Visit my fb page for notations of songs: https://www.facebook.com/pages/Kondayyas-Music-Page. Youtube.com pankh hote to udh aati re rasiya aao balma Lata Mangeshkar + Ramlal Hasrat Jaipuri Sehra SEHRA (1963) PRASHANT, SANDHYA, MUMTAZ, ULHAS, BABLOO, LALITA PAWAR, M. RAJAN, MANMOHAN KRISHAN Produced By: SHANTARAM PROD.
(Redirected from Bhopali)
Thaat | Kalyan |
---|---|
Type | Audava |
Time of day | Early night, 9–12 |
Arohana | S R G P D S' |
Avarohana | S' D P G R S |
Pakad |
|
Chalan |
|
Vadi | G |
Samavadi | D |
Synonym | |
Equivalent | Mohanam |
Hindustani classical music |
---|
Concepts |
Genres |
Thaats |
Bhoopali, also known as Bhoop, Bhopali or Bhupali, (Hin: भूपाली / भोपाली) is a Hindustani classicalraga. It is a pentatonic scale (uses 5 notes in ascending and descending scale). Most of the songs in this raga are based on Bhakti rasa. Since it uses 5 notes, belongs to the 'Audav jaati' of ragas.
The same raga in Carnatic music is known as Mohanam.
Raga Bhoopali, Raga Yaman and Raga Bhairav tend to be the three basic ragas of Hindustani music, learnt first by its students.[1]
- 1Theory
- 2Organisation & relationships
Theory[edit]
Karhade (2011) explains that raga Bhopali consists of just 5 notes - स रे ग प ध (sa, re, ga, pa and dha).[2] It does not use Ma (also called Madhyam) and Ni (also called Nishadh).[2] It is said that the absence of Ni (representative of physical pleasure) and Ma (representative of loving) means this raga is about non-attachment.[3]
The Introduction consists of two parts - Aroh आरोह (where the notes are simply recited on an ascending scale) and avaroha (where the noles are simply recited on a descending order)[2]
Thereafter, with these same five notes, different combinations are made by the singer, similar to short phrases, also called 'chalan'.[2]
Aroha & Avaroha[edit]
The scale of Bhopali uses only Shuddhswaras.
- Aroha (ascent): Sa Re Ga Pa Dha Sa
- Avaroha (descent): Sa Dha Pa Ga Re Sa
Vadi & Samavadi[edit]
Gandhar - ga
Dhaivat - Dha
Alap[4][edit]
- S, D1 D1...S, R - - S...D1 S..., D1 - - - P1, S - - - D1 S - - D1 P1, P1 D1, D1 D1 S
Pakad & Chalan[edit]
The Pakad (catchphrase that often helps in identifying a raga) is:
S R G R S D1 S R G
or:
S R G R S D1 S R G P G D P G R S
or:
G R P G G R S R D1 S
or:
G R S D1 S R G R P G D P G R S
Some chalans (elaborations of the pakad) are:
![Pankh hote to ud aati re remix Pankh hote to ud aati re remix](/uploads/1/2/3/7/123739628/500908905.jpg)
- S R G R S D1 S R G
- S R G R S D1 P1
- P1 D1 S R G R G
- S R P G
- G R S R G P
- G P D P D D S’
- P G P D P D S’ R’ G’ R’ G’
- G’ R’ S’ D P G R S
Note: Normally written swaras (individual notes) indicate the middle octave. A swara immediately followed by 1 indicates the mandra saptak (lower octave) and ' indicates the taar saptak (higher octave
A few movements in Bhopali are important to note. There is typically a slide when descending between Sa and Dha, as well as between Pa and Ga. These slides parallel each other and can be used to create a symmetry about how the Swaras are developed. Also, many performers will bring out the Kalyan flavor of Bhopali by using abhasi of the notes Shuddha Ni and Tivra Ma. That is to say, these notes are only vaguely suggested in passing ornaments, not actually sung for long enough for the Swara to become a clear part of the Raga. Some examples would be:
(N1)D1 S
P(m)P(m) D P
where the notes in parenthesis are connected by slides or sung as meend.
Bandish[edit]
This bandish is bound with Teentaal (16 beats).
1 2 3 4 | 5 6 7 8 | 9 10 11 12 | 13 14 15 16 |
Asthayi:
D S D2 P | G2 R2 S R2 |
G2 _ G2 P | G2 R2 S _ |
S R2 G2 P | R2 G2 P D2 |
G2 P D2 P | G2 R2 S _ |
Antara:
G2 _ G2 G2 |P _ D2 P |
S' _ S' S' |D3 R3 S' _|
G3 G3 R3 S'|R3 R3 S' D3|
S' _ D2 P |G2 R2 S _|
The Asthayi starts with the 9th beat.
Organisation & relationships[edit]
Raga Bhoopali belongs to the Kalyan Thaat.
Related ragas: Deshkar (a pentatonic raga belonging to the Bilawal Thaat with the same scale as Bhoopali). Shuddha Kalyan is another similar raga.
Samay (Time)[edit]
First part of night.(9pm to 12pm)
Rasa[edit]
Bhakti Rasa (Devotional)
The essence from the raga evokes the Shanti Rasa - peaceful and calming.[4]
Film Songs based on Bhoopali[edit]
Bhoopali is a popular raga used in Indian folk songs, and thus in Hindi and other regional film songs.[2]
Hindi:
- Pankh Hote To Udd Aati Re (Sehra) (1963)
- Main Jahaan Rahoon (Namastey London) (2007)
- Dil Hoom Hoom Kare (Rudaali) (1993)
- Sayonara Sayonara (Love In Tokyo) (1966)
- Dekha ek khwaab to yeh silsile hue (Silsila) (1981)[5]
- Aayat (Bajirao Mastani) (2015)
Marathi:
- Ghanashyam Sundara (Amar Bhoopali(1951))
See also[edit]
References[edit]
- ^Pathak Yajurvedi, Dr. Sarita. 'Lecture - Raag Bhopali (Edusat)'. www.youtube.com. Bharti College, University of Delhi. Retrieved 5 December 2016.
- ^ abcdeKarhade, Aradhana. 'Raag Bhopali (Uploaded 20 January 2011)'. www.youtube.com. Karhade, A. Retrieved 5 December 2016.
- ^Alain, Daniélou (2014). The Rāgas of Northern Indian music. Daniélou, Alain. (2014 ed.). New Delhi: Munshiram Manoharlal. ISBN812150225X. OCLC39028809.
- ^ abYagnik, Hasu (2013). Shastriya Raag Darshan. Gurjar Granthratna Karyalay. ISBN978-81-8480-826-1.
- ^'Songs based on Raaga Bhopali'. www.soundofindia.com. Sound of India. Retrieved 5 December 2016.
- Bor, Joep (ed). Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane (co-authors)The Raga Guide: A Survey of 74 Hindustani Ragas. Zenith Media, London: 1999.
- Parrikar, Rajan. 'Short Takes: Bhoopali and Deshkar.' Rajan Parrikar Music Archive Short Takes Bhoopali and Deshkar Comments. SAWF Magazine, 5 Aug. 2002. Web. 2 Oct. 2015. <http://www.parrikar.org/hindustani/bhoopali/>.
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Bhoopali&oldid=902554867'
Pakh hote to ud aati re, rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Pakh hote to ud aati re, rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Tujhe dil kaa daag dikhalaati re
Pakh hote to ud aati re, rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Yaado me khoyi pahunchi gagan me
Pachhi ban ke sachchi lagan me
Yaado me khoyi pahunchi gagan me
Pachhi ban ke sachchi lagan me
Dur se dekhaa mausam hasi thaa
Dur se dekhaa mausam hasi thaa
Pachhi ban ke sachchi lagan me
Yaado me khoyi pahunchi gagan me
Pachhi ban ke sachchi lagan me
Dur se dekhaa mausam hasi thaa
Dur se dekhaa mausam hasi thaa
Dur se dekhaa mausam hasi thaa
Aanevaale tu hi nahi thaa
Dur se dekhaa mausam hasi thaa
Aanevaale tu hi nahi thaa
Rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Pakh hote to ud aati re, rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Aanevaale tu hi nahi thaa
Dur se dekhaa mausam hasi thaa
Aanevaale tu hi nahi thaa
Rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Pakh hote to ud aati re, rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Kirane ban ke baahe phailaayi
Aas ke baadal pe jaake laharaayi
Kirane ban ke baahe phailaayi
Aas ke baadal pe jaake laharaayi
Aas ke baadal pe jaake laharaayi
Kirane ban ke baahe phailaayi
Aas ke baadal pe jaake laharaayi
Jhul chuki mai vaade kaa jhulaa
Jhul chuki mai vaade kaa jhulaa
Tu to apna vaadaa hi bhulaa
Rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Jhul chuki mai vaade kaa jhulaa
Tu to apna vaadaa hi bhulaa
Rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Pakh hote to ud aati re, rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Pakh hote to ud aati re, rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Pakh hote to ud aati re.
Tujhe dil kaa daag dikhalaati re
Pakh hote to ud aati re, rasiyaa o zaalimaa
Tujhe dil kaa daag dikhalaati re
Pakh hote to ud aati re.